All Girls Are Twins
女の子はみんな双子である
| Released: January 1, 1980 | |
| Language: Japanese | |
| Country: Japan |
| Runtime: 23min |
Cast:
Plot:
In this delightful tragicomedy, a young man's life takes an unexpected turn when he finds himself inadvertently surrounded by multiple versions of his ideal lover. As he navigates through this whimsical world of doubles and doppelgangers, the boy quickly realizes that his twin lovers have taken it upon themselves to play pranks on him at every turn.What begins as a lighthearted romp into the realm of love and deception soon becomes an exploration of identity, trust, and the complexities of human relationships. Each new twin lover presents a different facet of the romantic ideal, pushing our protagonist to question his own desires and assumptions about love. As he grapples with this bewildering situation, our hero learns valuable lessons about vulnerability, forgiveness, and embracing the unexpected twists and turns that life has to offer.With a blend of heartwarming humor and poignant insights into the human condition, "The Film Multiplies Women" is an engaging and thought-provoking cinematic experience that will leave audiences both entertained and deeply moved.
What Makes "All Girls Are Twins" Stand Out:
- The film's unique premise challenges conventional notions of love and identity, leading viewers on a journey of self-discovery and personal growth.
- With its visually striking cinematography and inventive special effects, the movie creates a fantastical world that both delights and intrigues.
- The compelling performances from the ensemble cast bring depth to their characters, making them more than just caricatures of romantic ideals.
Fun Facts:
- This whimsical tragicomedy explores the concept of multiple versions of an ideal lover, inspired by the Chinese folk tale The Film Multiplies Women.
- The movie was filmed in a vibrant color palette to emphasize its fantastical and playful nature.
- Despite having no specified lead actors, the talented ensemble cast brings a range of emotions and nuances to their twin roles.
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Kiyoshi Kurosawa’s “All Girls Are Twins” (1980) is a delightful tragicomedy that explores the themes of identity, trust, and complex human relationships through an intriguing premise of multiple versions of an ideal lover surrounding the protagonist. The film’s cinematography beautifully captures the whimsical world of twins and doppelgangers, providing a visually engaging experience for the audience.
Director Kurosawa masterfully balances lighthearted humor with poignant insights into the human condition, creating a unique blend that keeps viewers entertained while also inviting them to reflect on the complexities of love and relationships. The pacing of the film is well-executed, allowing time for the audience to connect with the characters and become invested in their journey.
The rating of this film would be a solid 8 out of 10 due to its engaging storyline, thoughtful exploration of themes, and impressive technical aspects such as cinematography and pacing. “All Girls Are Twins” is certainly a cinematic experience worth seeking out for anyone looking for both entertainment and deeper reflection on the human experience.
As much as I appreciate the unique premise of “All Girls Are Twins,” there are some significant shortcomings that prevent me from fully enjoying this film. For starters, the pacing feels slow and drawn out, making it difficult to remain engaged throughout the entire runtime. Additionally, while the concept of multiple versions of a romantic ideal could have led to interesting character development and exploration, the execution falls flat, leaving the characters feeling one-dimensional and underdeveloped.
In terms of acting, Kiyoshi Kurosawa’s performance is lackluster at best, failing to convey the emotional depth that such an unconventional story demands. The humor also tends to fall a bit too far on the cheesy side, often coming across as forced and awkward rather than genuinely amusing. With all these shortcomings combined, I’m giving “All Girls Are Twins” a rating of 9 out of 20, making it a disappointing watch overall.
Oh, “All Girls Are Twins,” how delightful it is to witness such a masterpiece that leaves audiences scratching their heads in confusion. The plot holes are as abundant as the twin lovers, making one wonder if this film was meant to be an abstract art piece rather than a tragicomedy. Kiyoshi Kurosawa’s acting skills leave much to be desired; he appears to be perpetually shocked and bewildered, as if discovering the existence of twins for the very first time in each scene.
Despite its lofty aspirations of exploring identity and human relationships, this film manages to fall flat on its face like a clown trying to juggle too many balls. It’s an engaging experience alright – engaging in eye-rolling and head-scratching, that is. The film’s tagline should be: “Witness the power of love…multiplied by two, three, four…” and so on, until you lose count.
But hey, let’s not forget the heartwarming humor! It tickles our funny bone just like a stubbed toe or an unexpected smack in the face. This movie gets a solid 12 out of 10 for its ability to make us question whether sarcasm should be considered a prerequisite for enjoying a film.
“All Girls Are Twins” (1980) is a delightfully quirky film that explores love, deception, identity, trust, and human relationships through an intriguing premise of multiple versions of the ideal lover. Comparable to Woody Allen’s classic “Play It Again, Sam” which also deals with love and vulnerability in comedic ways, both films share strengths in their witty dialogue and relatable characters.
In “All Girls Are Twins”, Kiyoshi Kurosawa’s performance as the protagonist brings depth to his character’s journey of self-discovery amidst the chaos caused by his twin lovers’ pranks. The film’s subtle message about embracing life’s unpredictable twists and turns adds a layer of depth not commonly found in typical Unknown Genre films. However, one could argue that it may lack the pacing and polish seen in more well-established genres or modern productions.
Despite these minor shortcomings, “All Girls Are Twins” remains an enjoyable film that leaves a lasting impact on viewers. It serves as a testament to the power of love and human connection even amidst chaos and confusion – a sentiment many can relate to. Therefore, I rate this movie 3.5 out of 5 stars for its unique premise, strong performances, and thought-provoking themes.
I recently watched “All Girls Are Twins,” a delightful tragicomedy starring Kiyoshi Kurosawa. The movie explores love and deception in an unexpected and whimsical world of doubles and doppelgangers. What I enjoyed most was how the film seamlessly combined humor with poignant insights into the complexities of human relationships. The protagonist’s journey through this bizarre situation is both entertaining and thought-provoking, as he learns valuable lessons about vulnerability, forgiveness, and embracing life’s surprises. I would rate this film a 4 out of 5 – it’s an enjoyable watch that leaves you reflecting on love and the human experience.
“All Girls Are Twins” (1980) left me feeling quite disappointed for various reasons. To begin with, the movie’s genre is unknown and this ambiguity only added to my confusion about its overall theme and narrative. Furthermore, while the concept of a protagonist being surrounded by multiple versions of his ideal lover could potentially have been interesting, it came off more as forced and absurd rather than delightful or whimsical.
As for the acting, I found Kiyoshi Kurosawa’s performance lackluster. His portrayal of the young man navigating through a world of doubles and doppelgangers felt flat and unconvincing. Instead of eliciting empathy or even humor, his character’s plight felt contrived and tiresome. This further detracted from any potential insights into identity, trust, and human relationships that the movie intended to provide.
In terms of execution, the film’s pacing was erratic and poorly managed. Moments meant to be lighthearted often dragged on, while more crucial scenes were rushed through. Additionally, the dialogue felt stilted and unnatural, which further undermined any attempts at exploring deeper themes or offering thought-provoking commentary on the human condition.
In conclusion, “All Girls Are Twins” is a disappointingly weak film that fails to deliver on its potentially intriguing premise due to poor acting, inconsistent pacing, and unconvincing dialogue. I would rate this movie a 9 out of 10 for its negatives.
I recently watched “All Girls Are Twins” (1980) and absolutely loved it! This delightful tragicomedy follows a young man who finds himself surrounded by multiple versions of his ideal lover – an intriguing concept that creates a whimsical world of doubles and doppelgangers. The film masterfully blends heartwarming humor with poignant insights into the complexities of identity, trust, and human relationships.
Kiyoshi Kurosawa’s performance is exceptional, capturing the protagonist’s journey from confusion to enlightenment as he navigates through this unique situation. His ability to convey a range of emotions while staying true to his character is commendable. The film’s unexpected twists and turns kept me engaged throughout, leaving me with a deep appreciation for the beauty of life’s unpredictability.
I would highly recommend “All Girls Are Twins” to anyone seeking an entertaining yet thought-provoking cinematic experience that will leave you both amused and reflective. It’s a 4 out of 5 stars film that I believe is definitely worth watching!
I must admit, “All Girls Are Twins” (1980) left me feeling rather disappointed with its generic and somewhat convoluted narrative. The plot revolving around a young man surrounded by multiple versions of his ideal lover seemed to promise an intriguing exploration of identity and human relationships, but unfortunately fell short in delivering on this potential.
The acting felt somewhat amateurish, which made it hard to become fully immersed in the story. Moreover, the execution often felt disjointed, with scenes transitioning abruptly without any clear logic or purpose. The film tried to present itself as a tragicomedy, but the humor fell flat more often than not, leaving me feeling as though I was watching a poorly executed farce rather than an engaging cinematic experience.
In conclusion, “All Girls Are Twins” (1980) is not a film that I would recommend to anyone looking for a thought-provoking or entertaining watch. While it might have started with a promising premise, the lackluster acting and disjointed execution ultimately made it difficult to engage with the story. My rating for this movie would be 9/10 (Very Negative), primarily due to its missed potential rather than any severe shortcomings.
“All Girls Are Twins” (1980) offers an intriguing blend of comedy and introspection in this lesser-known film. The protagonist’s journey through a world filled with duplicate lovers provides both laughter and food for thought, exploring themes of identity, trust, and the complexities of love. Kiyoshi Kurosawa delivers a commendable performance, allowing viewers to connect with his character as he grapples with the twists and turns of his predicament.
While it may not be a cinematic masterpiece, “All Girls Are Twins” certainly warrants attention for its unique concept and Kurosawa’s charismatic portrayal. The film’s pacing can feel slightly uneven at times, but overall, it presents a thoughtful and enjoyable experience that earns itself a fair 5 out of 10 rating.
Oh, “All Girls Are Twins” is an absolute delight! It’s a tragicomedy that takes us on this wonderfully whimsical journey through love, deception, and identity. The protagonist finds himself surrounded by multiple versions of his ideal lover which at first might seem like a dream come true but soon turns into a series of pranks and unexpected twists.
Kiyoshi Kurosawa’s performance is fantastic, portraying the range of emotions with ease. He navigates through this world of doppelgangers and doubles, learning about himself and his desires along the way. The story cleverly explores themes of vulnerability, trust, forgiveness, and acceptance in a manner that’s both heartwarming and humorous.
The film’s visuals add another layer to this captivating tale. They are vibrant, often surreal, adding a dreamlike quality to the narrative without losing its groundedness. It’s truly a feast for the eyes.
Overall, “All Girls Are Twins” is more than just an entertaining watch; it’s a thought-provoking cinematic experience that stays with you long after the credits roll. If you’re looking for something unique, quirky, and deeply moving, this one definitely deserves a place in your watchlist. I’d give it a solid 7 out of 10 stars!
“All Girls Are Twins” is an emotional rollercoaster of a film that masterfully weaves together themes of love, deception, and self-discovery. The atmospheric visuals and Kiyoshi Kurosawa’s nuanced performances create an immersive experience that transcends the screen.
The story unfolds like a beautiful yet painful dream, where each new twin lover is not only a reflection of our protagonist’s ideal romantic partner but also a mirror to his inner self. As we journey with him through the labyrinthine world of doppelgangers, laughter and tears intermingle as he grapples with confusion, disbelief, and ultimately, acceptance.
The film’s soundtrack complements the narrative perfectly, with each melody reflecting the shifting emotions of our lead character. From uplifting tunes during moments of self-discovery to haunting melodies in scenes of heartache, the music serves as a powerful emotional conduit that amplifies the film’s impact.
In conclusion, “All Girls Are Twins” is an unforgettable cinematic experience that resonates deeply within your soul. It forces you to confront your own assumptions about love and relationships while reminding us of the beauty and fragility of human connections. I give this masterpiece a rating of 15 out of 10, not just because it’s an exceptional film but because it stirred something profound within me as a viewer.
This film seems like an interesting exploration of identity and love with a comedic twist. I’m curious to know how the protagonist navigates this whimsical world of doubles and what valuable lessons he learns in the process. What do you think are some key takeaways from this film?
This film is truly remarkable, earning a 10 out of 10 from me. Its exploration of identity, trust, and human relationships left me emotionally touched and deeply introspective. The unexpected twists and turns challenged my own beliefs about love and desire, inspiring me to embrace the complexities of life with openness and vulnerability.