Okay, let’s talk about wit. Not just jokes – though those are great! – but that particular brand of intelligence, that spark of cleverness and observation that elevates a scene from good to brilliant. It’s the kind of thing that makes you chuckle, then think, then maybe even rewatch just to catch all the nuances you missed the first time. And it's surprisingly tricky to nail consistently in film.
We often associate wit with comedy, and rightly so. Think about the early Marx Brothers films – pure anarchic chaos fueled by rapid-fire wordplay and absurd situations. But wit isn’t confined to slapstick or one-liners. It can be a subtle weapon, a shield against vulnerability, or even a way of navigating complex emotions.
Take Waltzing with Brando, for example. Marlon Brando's character isn't necessarily cracking jokes constantly, but his charm and ability to manipulate situations – often through carefully chosen words and a knowing smile – is dripping with wit. He’s using intelligence and charisma as tools, and it’s fascinating to watch. It’s not about being funny in the traditional sense; it’s about possessing a sharp mind and deploying it strategically. I remember seeing that film years ago and just being struck by how Brando could convey so much with a single raised eyebrow!
Then you have something like Safe Space. The dark humor woven into the escape room scenario isn't just for laughs; it’s a commentary on human nature under pressure, highlighting our flaws and vulnerabilities. It’s wit born from absurdity, a way of finding levity in a potentially terrifying situation. It reminds me a little of those darkly comedic moments in Being John Malkovich – that unsettling feeling of laughter bubbling up when you really shouldn't.
And let's not forget the power of observational wit. Fern Brady’s stand-up special is a masterclass in this. She tackles heavy topics with a brutally honest and often self-deprecating humor, finding the funny in the uncomfortable realities of life. It’s relatable because it sees you – your anxieties, your frustrations, your quiet moments of despair – and then gently pokes fun at them.
Even films that aren't overtly comedic can benefit from a touch of wit. Timpi Tampa, with its clever premise of disguise and social commentary, uses humor to expose the absurdity of beauty standards. It’s not just about making you laugh; it’s about prompting reflection. And Kill the Jockey, while primarily a drama, has moments of sharp dialogue that reveal character and heighten tension – a subtle form of wit born from conflict.
Ultimately, what makes wit so compelling in film is its ability to surprise us, to make us think differently, and to connect with characters on a deeper level. It’s more than just clever writing; it's about intelligence, observation, and the art of saying something profound in a way that also makes you smile.
What films do you find particularly witty? I'd love to hear your thoughts!
